Singing and the Actor by Gillyanne Kayes
After Estill: the problem with cricoid tilt for belting in Estill Voice Craft
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Classical singing training is no longer relevant for the theatre performer today. So how does an actor train his singing voice? Now in its second edition, this practical handbook takes the reader through a step-by-step training programme relevant to the modern singing actor and dancer. A variety of contemporary voice qualities including belting and twang are explained, with exercises for each topic. Gillyanne Kayes is a renowned singing voice specialist and voice researcher.
Singing and the Actor takes the reader step by step through a practical training programme relevant to the modern singing actor and dancer. A variety of.
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