The Doors of Perception & Heaven and Hell by Aldous HuxleyGenerally, I greatly prefer to read books in the dead-trees format—actual paper in my hand. This was the first Ive read in a long time where I found myself desperately longing, not only for an electronic edition, but for a fully hypertextual version, rich with links. Over the two months I spent on this volume, on and off, I believe two-thirds of my time was spent on the Internet looking up references. At the very least, this book would benefit greatly from extensive illustration: the range of artistic works referenced, from Caravaggio to Millais to Vermeer, is sure to baffle most modern readers without a degree in Art History. Remember Laurent Tailhade? Yeah, me neither.
Frankly, with the state of Liberal Arts education today, I have a hard time believing that much of anyone who has read this in the last 30-40 years has understood but a fraction of it—and reading over the reviews I can find bears this out. Both essays are often seen as little more than an apologia for drug experimentation. While that is certainly an element of both, it can hardly be taken as Huxleys central point. It was rather Dr. Leary who much later reduced the matter to such a simple and simplistic premise, and even he had more than that to say to those who were willing and able to delve beneath the surface.
Instead, while making the case for the legitimacy of drug use, Doors offers a hypothesis for the mechanism of the experience via the well known reference to Blake and the then-current state of neuro-biological research; to wit, that ordinary perception is a matter of the mind filtering data for survival, while transformed or visionary experience—whether achieved through asceticism, art, or chemistry—opens the mind to all the data available, regardless of its mere survival value, thus allowing one to see through the ordinary to a truer vision of reality. Why, after all, should one need to starve or abase oneself for months and years to achieve such states when the same experience, or a reasonable simulacrum, can be had for the cost of a drug and perhaps a mild hangover?
Heaven and Hell goes on to develop this thesis by comparing the visions induced by exogenous chemicals to the more visionary pieces of art throughout history, as well as elaborating on the religio-spiritual theme. This is where, I believe, a majority of readers are likely to get lost, and thus explains why there are far more extant reviews of the former essay than of the latter. Even with handy art references, the latter is still the more difficult read, with its several tangential appendices and textual digressions. One might almost suppose that the drugs had not yet worn off while he wrote this one. Still, for the persistent, this is a worthwhile sequel, and it is readily obvious why the two are so often packaged together. But keep your browser near at hand, because many of his points are utterly lost without knowing the art to which he refers.
Finally, it is this very lack of illustration, and internal referencing for the modern reader, that prompts me to deduct one star from what would otherwise be a truly stellar recommendation. I continue to hope that the Huxley estate, or whoever controls the copyrights, will consider reissuing this with the necessary supplemental material, perhaps even in a definitive scholarly critical edition. Were it in the public domain, I might take on such a project myself.
HEAVEN & HELL BALL COSTUMES
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Problem is, Hell dishes are a lot easier to come up with anything spicy andor fiery can be said to be devilish, whereas for Heaven you have angelfood, angelhair and ambrosia salad. See more ideas about Themed parties, Ideas party and Costumes. Aug 22, Heaven. The best part of the Heaven and Hell party is that you have the option of two costumes rather than just one. This way, you have only half the chance of people having the same costume. So you have a choice: Devil or Angel. Both costumes are equally appropriate at a fraternity party.
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