Woman native other writing postcoloniality and feminism

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woman native other writing postcoloniality and feminism

Woman, Native, Other: Writing Postcoloniality and Feminism by Trinh T. Minh-ha

...methodologically innovative... precise and perceptive and conscious... -Text and Performance Quarterly

Woman, Native, Other is located at the juncture of a number of different fields and disciplines, and it genuinely succeeds in pushing the boundaries of these disciplines further. It is one of the very few theoretical attempts to grapple with the writings of women of color. -Chandra Talpade Mohanty

The idea of Trinh T. Minh-ha is as powerful as her films... formidable... -Village Voice

... its very forms invite the reader to participate in the effort to understand how language structures lived possibilities. -Artpaper

Highly recommended for anyone struggling to understand voices and experiences of those we label other. -Religious Studies Review
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Published 13.01.2019

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Citation Styles for "Woman, native, other : writing postcoloniality and feminism"

All stills are taken from the following films by Trinh T. The production photographs are by Jean-Paul Bourdier. For many of us, the question of priorities remains a crucial issue. Being merely "a writer" without doubt ensures one a status of far greater weight than being "a woman of color who writes" ever does. Imputing race or sex to the creative act has long been a means by which the literary establishment cheapens and discredits the achievements of non-mainstream women writers. She who "happens to be" a non-white Third World member, a woman, and a writer is bound to go through the ordeal of exposing her work to the abuse of praises and criticisms that either ignore, dispense with, or overemphasize her racial and sexual attributes. Yet the time has passed when she can confidently identify herself with a profession or artistic vocation without questioning and relating it to her color-woman condition.

methodologically innovative precise and perceptive and conscious " ―Text and Performance Quarterly. Woman, Native, Other is located at the juncture of a.
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Woman, Native, Other: Writing Postcoloniality and Feminism (A Midland Book)

It is one of the very few theoretical attempts to grapple with the writings of women of color. Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves. Built on the Johns Hopkins University Campus. This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.

Karen Alexander, Trinh T. Most users should sign in with their email address. If you originally registered with a username please use that to sign in. To purchase short term access, please sign in to your Oxford Academic account above. Don't already have an Oxford Academic account? Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide.

4 thoughts on “Woman, Native, Other: Writing Postcoloniality and Feminism by Trinh T. Minh-ha

  1. Neither black/red/yellow nor woman but poet or writer. For many of us, the question of priorities remains a crucial issue. Being merely “a writer” without doubt.

  2. File:Minh-ha Trinh T Woman Native Other Writing Postcoloniality and Feminism pdf - Monoskop

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