Gilbert and sullivans last work

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gilbert and sullivans last work

The Complete Plays of Gilbert and Sullivan by W.S. Gilbert

From Trial by Jury to The Pirates of Penzance: the complete librettos of all fourteen Gilbert and Sullivan operas.

Gilberts verses for Sullivans music are the most fastidiously turned and inventively rhymed in all lyric comedy. As the Savoy Operas enter their second century on a swell of renewed popularity, Gilberts reputation as the supreme wordsmith of light opera remains secure.

Complete and authentic, these are the librettos on which modern performances and recordings are based. Scattered among the songs are over seventy of the amusing, quirky pictures Gilbert drew to illustrate them. A chronology prepared for this edition sketches the authors lives and careers. This is a book that no lover of Gilbert and Sullivan, musical comedy, or indeed the English theater will want to be without.

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Gilbert & Sullivan - THE GONDOLIERS - "Try we life-long" (D'Oyly Carte, 1960)

Gilbert & Sullivan

Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the dramatist W. Gilbert — and the composer Arthur Sullivan — and to the works they jointly created. The two men collaborated on fourteen comic operas between and , of which H. Gilbert, who wrote the libretti for these operas, created fanciful "topsy-turvy" worlds where each absurdity is taken to its logical conclusion—fairies rub elbows with British lords, flirting is a capital offence, gondoliers ascend to the monarchy, and pirates emerge as noblemen who have gone astray. Their operas have enjoyed broad and enduring international success and are still performed frequently throughout the English-speaking world. Gilbert was born in London on 18 November His father, William , was a naval surgeon who later wrote novels and short stories, some of which included illustrations by his son.

The songwriting team of William S. Gilbert and Arthur Sullivan was among the most successful and enduring of the 19th century; their comic operas remain immensely popular over a century after the duo's final work, and are viewed today as forerunners of contemporary musical theater.
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London’s Savoy Theatre was built to stage their operas

Although Gilbert wrote several shows with other composers, they have not been revived or recorded. Sullivan wrote musicals with other collaborators, but only two of those works are still performed. Though the librettos are not as witty as Gilbert's best, they are still delightful. Premiere - - St. George's Hall, London Two men tricked by their landlord into sharing a room discover they are also engaged to the same girl. With libretto by F. Burnand, this charmer was privately performed in and , and received a public run two years later.

The dramatist and author W. Gilbert wrote approximately 80 dramatic works during his career, as well as light verse, short stories and other works. He is best remembered for his series of 14 libretti for his joint operatic works with the composer Arthur Sullivan , but many of his other dramatic works were popular successes. In the following list, the title of each work appears in the first column, along with any further information such as the source of an adaptation. The genre appears in the second column, and if the piece had music, the composer's name is listed in parentheses.

Our group is dedicated to performing the joint works of Sir W. Gilbert , playwright and humorist, and Sir Arthur Sullivan , unofficial composer laureate of England and favorite of Queen Victoria. Together they wrote a series of fourteen comic operettas including H. Pinafore, The Pirates of Penzance , and The Mikado which were wildly popular in their own time and are still widely performed by amateur and professional groups today, over a hundred years after their creation. These operettas were the forerunners of our modern musicals, and in many ways resemble them more than they do the grand operas. Their songs and choruses -- mostly light and comic in nature -- are interspersed with spoken dialogue rather than recitative. In fact, few if any of the performers in Gilbert and Sullivan's original productions were professional opera singers; some of the chorus members were even outright amateurs.

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